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Saturday, January 7, 2017

Shakespeare, Hamlet and the Roles of Women

In Elizabethan England - the blockage of William Shakespe atomic number 18 - women were socially degraded and taught they were low to men. In his play, settlement, Shakespeares perception is well displayed as women are victimize and presented as inferiors; target areas that assist or hinder the action of men. Specifically, Gertrude and Ophelia are displayed as instruments of deceit, fragile-minded women with a colony on men, and the cause for their feature source of maltreatment and degradation.\nGertrude close immediately falls under the emotional spell of Claudius and allows herself to stick objectified, essentially neglecting her own parole. She does not try to rea news with Hamlet and find the genuine reasons for his brokenheartedness but instead allows for her son to be spied on by Rosencrantz and Guildenstern, ignoring the needs of her own child. Gertrude set abouts an object used to stag on Hamlet when she ultimately gives in and allows Polonius, who has hidden target a tapestry, to pick up to the conversation she has with her son. When the male monarch states, Ill warrant you. Fear me not. Withdraw, I hear him coming (III.IV.9-10). it shows that Gertrude is to the full aware of the military post she is in and has agreed to allow Polonius to listen in to her son in his most vulnerable and hint state, considering his mindset. As a attractive mother she should have allowed her son the opportunity to vent his situation and problems in an intimate and upright situation, but instead puts him in a predicament in which Hamlet unknowingly kills Polonius.\nSince Gertrude is a woman, she is victimized and portrayed as the cause of Poloniuss death. If she had not been graphic symbol of the story we can turn out that Polonius would have not been behind the tapestry and inadvertently killed. This number also allowed Hamlet to be sent England, prolonging his revenge. Similar to Gertrude, Ophelia allows herself to become an object used to spy on Prince Hamlet. His former lover, one(a) who we can...

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